three discussions silent cinema film godfather film starwars and discussion

Silent cinema discussion and question: to what extent does silent cinema owe its central features to opera, reference from Schroeder.

For Godfather Does the transition from opera to orchestral music at the end of the trilogy serve to offer redemption to Michael Corleone? If so, how? If not, why not.

For Starwars Discuss the ways in which John Williams appropriates the nineteenth-century orchestral style in A New Hope. To what extent are these appropriations effective and/or innovative?

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